Saint Paul, Minnesota, USA
The very packed program included ten plenary sessions, 40 seminars, evening movies, and prayer times. Despite the lack of free time, participants found time to fellowship over the meals, forge new relationships and even begin strategic partnerships. The non-stop connecting was enhanced by ad hoc luncheons and coffee break times for many of the groups represented. As one participant said, “GCoMM greatly enriched my life, both professionally and spiritually. …it wasn’t one thing in particular, but the whole experience. I continue daily to try to bring my thinking in line with a greater vision and a somewhat new perspective, and I am thrilled for the larger network of contacts I have!”
OPENING PROCESSIONAL – Of the many stunning and memorable moments at GCoMM, the opening processional may have been the first of its kind in the history of global events. Instead of the typical parade of flags, this parade featured the instruments of the nations. Musical instruments of all sizes, shapes and origin were lifted to the Lord as offerings of praise during the procession and placed prominently across the front of the huge Bethel University Benson Hall stage. These instruments from the nations became the visual icon for the entire conference.
OPENING DECLARATION – Following the processional, the tone of the event was set with a powerful declarational moment. Interspersed with calls on the shofar and other instruments, Scriptures that announce the global reign of the Lord were read in various languages, while being displayed in English, boldly proclaiming the greatness of God and His place as Lord over all the nations.
MULTI-ETHNIC PRAISE – The times of singing also broke new ground for global gatherings. IziBongo, an incredible team of musicians, led the worship, using mostly non-western songs. What set the team apart was their ability to provide very authentic accompaniment to the singing, using a vast array of instruments from many parts of the world. Leading songs in the heart languages of Africa, Asia, the Middle East, Latin America and elsewhere, team members moved effortlessly from one instrument to another with breathtaking agility. A mother-daughter duo also demonstrated professional skill and global awareness through worship choreography.
Most of the troupe’s members had missions experience, which made it possible to present even the singing of the Canela, a small people group from Brazil, who sing in intricate tone cluster “harmony.” As one participant said, “At times it was like heaven on earth….Although we recognized the importance of each person and each group worshiping in their own ‘heart music,’ we moved beyond that to expressing our love for others by worshiping in their heart music. It was awesome!”
PLENARY SESSIONS – Speakers in the plenary sessions greatly increased participants’ understanding of music in the church around the world. I-to Loh from Taiwan shared about the church in Asia, illustrating his thoughts from the Asian hymnal “Sound the Bamboo.” (This landmark hymnal that he compiled and edited has been called one of the most professionally researched of all non-western hymnals.) Another Asian speaker is one of the most esteemed musicians who serves the Chinese house church movement on the mainland. Both speakers touched on themes relating to suffering and how God uses music to strengthen His church.
Brazilian musician, author and pastor Atilano Muradas, one of the most popular musicians at GCoMM 2003, returned to address the entire GCoMM 2006 gathering. He spoke about the ways that Brazilian samba became the means for Christians to express their faith via high-quality presentations during parades and the annual Carnaval events.
Ron Man, worship speaker with Greater Europe Mission, provided outstanding and comprehensive Biblical studies on worship. Three panels, led by Byron Spradlin, Tom Ferguson, and Brian Schrag, dealt with current issues related to music and mission. Fuller’s Roberta King, Wycliffe’s Tom Avery, and John Witvliet of the Calvin Institute of Christian Worship also made thrilling plenary contributions.
SEMINARS – The seminars were again a highlight of this GCoMM event. Subjects were organized by tracks which included Foundations, Contextualization, Methodology, Arts and Media, and Overcoming Obstacles. A vast array of topics flowed from these different emphases, providing a veritable smorgasbord of case studies, reports, assessments, and practical applications from around the world.
NEW MEDIA – Several media tools were prepared for release at GCoMM 2006. These included a CD-ROM of the entire proceedings, which was given to every registrant upon arrival. It featured the notes for every plenary session and for almost all of the seminars.
Bethel staff also published recordings all of the spoken word presentations for the entire event on a DVD of mp3 files.
Early in the week Frank Fortunato, the GCoMM 2006 Planning Committee Chair and event co-host, addressed local guests from area churches to help them understand the purpose of GCoMM. He related that this ongoing global consultation has come out of new insight into the role of music and the arts in missions. Beyond the networking and the educational sessions and seminars, the gathering aims to make a new collective commitment to the Great Commission, asking God to reveal the many ways that music and the arts could be His tools to reach the nations. He then concluded:
We are here to re-commit ourselves to use God’s gifts of music and art to evangelize, disciple, help build churches and, if needed, to lay down our lives to do our part to contribute to that moment when we join all redeemed humanity from every tribe and nation surrounding the throne and participating in the anthem of eternity—the praise of our Creator Redeemer.
GCoMM 2006 was one more thread added to the vast global tapestry that anticipates that great moment. Plans are already in motion for a possible GCoMM event in East Asia in 2009.